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El Farol – The Welcome Light in the Canyon

Since the mid-1800s there’s been a welcoming light along Santa Fe’s Canyon Road. It was known then as La Cantina del Cañon, a popular saloon owned and operated by the Vigil family. It was a time when Canyon Road was a raw dirt trail that ran through the Santa Fe River Valley, and the low-slung adobe homes served as rough and ready shelter, not as the world-class art galleries they’ve been transformed into today.

Adobe buildings on Canyon Rd by Jesse Nusbaum-1912- Palace of the Governors Photo Archives
Adobe buildings on Canyon Rd by Jesse Nusbaum-1912- Palace of the Governors Photo Archives

La Cantina was a long, narrow saloon serving food, beverages and liquor. In typical fashion for the time, the family lived in the same building as the bar. The Vigils ran it successfully, well into the mid-1900s. More than a hundred years later, the legacy of La Cantina lives on – thrives, actually. For over thirty years, it has been known as El Farol Restaurant & Cantina. Since July of 1985, it has been successfully owned and operated by native New Mexican David Salazar.

David was born and raised in the small town of Hernandez, just across the river from the first capital of New Spain, Ohkay Owinge (San Juan Pueblo). Hernandez is a tiny town caught in the past, about 40 miles from Santa Fe. It is best known for its haunting image captured in moonlight by Ansel Adams.

Moonrise, Hernandez, New Mexico. Ansel Adams
Moonrise, Hernandez, New Mexico. Ansel Adams – October 31st, 1941. Photo Courtesy of Palace of the Governors photo archives.

David’s father Rosenaldo (Ross) Salazar owned the only mercantile store in Hernandez. He supplied the town and neighboring areas all the way up to the Colorado border with every basic supply from food to clothing and even gasoline. “He was an amazing businessman,” recalls David. “He was ahead of his time when it came to marketing and running a successful business. Even in those days, he knew about spreading the word to communities, long before computers and social networking.”

Young Ross Salazar with family. Ross is under the hands of his father.
Young Ross Salazar in front of his father and family.

David remembers growing up in the home attached to the store, and working with his father and brothers. Ross had started work at the age of twelve in the coal mines in Colorado. He worked hard his whole life, but sadly, the early exposure to the coal dust cut his life short at the age of 53 from black lung. He left six children who would work to live up to his legacy, and his widow, Carmen, who kept them grounded in reality whenever their egos got the better of them.

Young David with his mother Carmen
Young David with his mother Carmen

There was one day in the family home when he and his brothers were boasting to compete with one another about how well they were doing running their respective businesses, and their mother turned and said, “Your father already did all that back in the fifties.” David laughs, “She put us in our place.”

A dapper businessman, Ross Salazar
A dapper businessman, David’s father Ross Salazar

“When you live and work on the same property, you can’t help learning a lot about the running of the business,” David said, but he was determined to get out of Hernandez and earn an education. He admits he was very young and naïve when he emphatically told his father, “I’ll never own my own business.” David won a football scholarship to a small college in Kansas, and graduated with a degree in a subject that came easily for him – business. After college he had an interesting road ahead of him, and never returned to live in Hernandez.

During his “footloose” years, he backpacked around Spain and other parts of Europe. Back in the U.S., his writing skills earned him a place working with labor leader and farmworker advocate Cesar Chavez, helping write his speeches. David was in California at a casual speaking venue with Chavez when he met Bob Bergland, the first Secretary of Agriculture hired by the Carter Administration.  This meeting led to David working with a team in the Carter administration helping develop rural policy, much of which is still used today. “It was such rewarding work,” says David.

Cesar Chavez in the United Farm Workers March-1970. Photo courtesy of UNM Archives
Cesar Chavez in the United Farm Workers March-1970. Photo courtesy of UNM Archives

David was also on the team that started the first “Juntos” (Together) project, which was part of Carter’s “War on Poverty” effort. Juntos was a nonprofit, inner-city program designed to educate children in poverty-stricken areas, and rehabilitate, counsel and find employment for ex-convicts. David traveled the country with this project. He spent time in many cities from east to west, including New York, Washington, and at the office headquarters in Santa Fe.

After four years with the Juntos project and the end of the Carter administration, David moved permanently to Santa Fe and decided to become a realtor.  His first listing was for the sale of the business of La Cantina, which had been bought by two businessmen in the 1960s and given the new name of El Farol. He remembered the place from his earlier years in town. It turned out to be David’s first and last listing. He bought it and the rights to the property it was on, and promptly quit the real estate business. This was in July of 1985, just shy of thirty years ago.

Immediately after the purchase, David experienced severe buyer’s remorse. “What have I done?” he said to himself. “I’ve made a huge mistake!” It was his mother who turned things around for him. She called him one Sunday and asked him to meet her at El Farol. “It’s Sunday,” David said to her,  “I really don’t want to go in today.” But she insisted and when he arrived, he saw his mother had brought a priest. “I couldn’t believe it. She’d brought a priest to bless the damn place!” he says, laughing. The priest admitted to never having blessed a bar before. It must’ve worked, because since then David has successfully run the oldest cantina and restaurant in Santa Fe.

El Farol Restaurant & Cantina
El Farol Restaurant & Cantina

Once David’s buyer’s remorse was blessed away, he started on the track of being the business owner he swore he would never be, and he has never looked back. The restaurant now rambles through the entire property, and offers live entertainment every night of the week. El Farol is known for its extraordinary Saturday night Flamenco Dinners, where guests can enjoy a delicious prix fixe menu and top-quality flamenco performances. The original cantina remains at the heart of the place, with its creaking wooden floors, low-hung vigas, artist murals, and the long saloon-type bar.

El Farol Cantina
El Farol Cantina

The original Cantina menu was a “mish-mash” of many things, but soon another twist of fate brought about its transformation. When David was in New York City during his Juntos years, his favorite Spanish restaurant was The Board Room. It was an upscale place serving authentic Spanish cuisine and showing top-class entertainment. “I saw Eartha Kitt perform there,” he said. Just a short while after the “blessing” day, David was introduced to Denise Dressman, a friend of a friend looking to enjoy some time off in Santa Fe, away from her hectic New York life. Turns out her New York job was as the sous-chef at The Board Room. She completely transformed the El Farol menu, and stayed on for two years as the head chef. Authentic Spanish tapas (small appetizer-sized dishes, served in groupings) and larger entrees like their amazing signature Paella, are hugely popular.

El Farol’s cantina remains reminiscent of its origins over a century ago. It now rambles through the property that was the Vigil home, and includes a patio garden area. Its walls uphold the tradition of artists’ murals begun in the early 1900s.  Originally, the frescoes were made by visiting artists as a means to pay their tab. Now the walls are a veritable museum of works by such well-known names as Taos artist Alfred Gwynne Morang (1901-1958), whose tragic demise came in 1958 when his Canyon Road studio burned down.

Alfred Gwynne Murang Murals
Alfred Gwynne Morang Murals

Other famous artists with their own fascinating histories include Native American artist Stan Natchez, Sergio Moyano of Cordoba, Argentina, and Hawaiian-born Roland Van Loon; all have left their mural mark at El Farol.

Van Loon Mural in El Farol Dining Room
Van Loon Mural in El Farol Dining Room

Throughout its lifetime, El Farol has seen many a famous name pass through its doors. Willa Cather, Mabel Dodge Luhan, John Wayne, and Bob Dylan, to mention a few.

The Galeria is at the back of the restaurant by the patio area. You take Flamenco Alley to get there.
The Galeria is at the back of the restaurant by the patio area. You take Flamenco Alley to get there.

Now in his mid-seventies, David’s mind continues to brim with new ideas for El Farol – so much so that his restaurant manager Freda has placed a moratorium on how many novel ideas he can come up with, “I’m allowed only one a week,” he laughs. “She’s the whoa! to my go.” One idea that is blossoming nicely is the new Galeria El Farol that sits behind the restaurant along Flamenco Alley. It is run by Viviana Cloninger who shows works by a variety of local artists. Another is a new Spanish Cultural Tour project that involves taking Santa Feans to Spain and bringing Spanish travelers to Santa Fe, to show them their heritage in both the Old and New Worlds.

David Salazar, owner of El Farol. Flamenco Mural by ??
David Salazar, owner of El Farol. Flamenco Mural by Sergio Moyano of Cordoba, Argentina.

El Farol’s legacy is a point of pride for native Santa Feans, and longtime locals. It represents a history and authenticity that makes Santa Fe unique. As one of the most popular restaurants and nightlife spots in town, it certainly lives up to its name. The word “farol” originates from the ancient Latin word “pharus” meaning “lantern” and “lighthouse”.  For more than a hundred and fifty years, this unique locale has been a warm and welcoming light on Canyon Road; a place where locals and travelers gather to celebrate life, and enjoy connecting amid the authentic flavors, sounds and sights of a rich and colorful heritage.

El Farol's Patio Garden
El Farol’s Patio Garden

For more information call (505)983-9912 go to: http://santafeselection.com/restaurants/el-farol-restaurant

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A Visit Through Santa Fe History

With a fossil record that dates back to the Triassic period, and a human record predating 900 A.D, there’s nothing bite-sized about Santa Fe history. Though it’s tough to abbreviate such a rich and complex past, I have rummaged through time to post a brief-ish trek, beginning just prior to the arrival of the Spanish and leading up to the birth of the state.

1050-1607:  Native Americans occupied the region. A small group of village dwellings were located around what is now known as the Historic Plaza area. The village was then known as ‘Ogap’oge, said to mean Olivella Water Place. Olivella is a shell originating in Mexico and the Gulf of California. It was traded among the ancient Native tribes and eventually found its way to New Mexico. It was used primarily for ornamentation in jewelry and crafts.

olivellawhite

1540: Spanish Conquistador Don Francisco Vasquez de Coronado arrived by way of Mexico in search of the fabled Cibola, or Seven Cities of Gold. He claimed the area as the “Kingdom of New Mexico,” a part of the larger empire known as New Spain.

Don Francisco Vasquez de Coronado
Don Francisco Vasquez de Coronado
Drawn map of Kingdom of New Mexico in New Spain, by Jose Antonio de Alzate y Ramirez circa 1760
Drawn map of Kingdom of New Mexico in New Spain, by Jose Antonio de Alzate y Ramirez circa 1760. It also shows the Native Tribal Territories.

1598: Don Juan de Oñate established the capital of the “Kingdom” to be Ohkay Owingeh (Place of the Strong People), the Tewa village 25 miles north of Santa Fe.

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The village was renamed San Juan Pueblo. (Quite recently, in 2005, the name was officially returned to the original Tewa, Ohkay Owingeh.) In 1598, there were approximately 40,000 Indians in the region. Even though there was little resistance, Oñate instilled fear by killing, mutilating, and enslaving hundreds of the Native people.

Main Plaza of San Juan Pueblo again known as Ohkay Owinge
Main Plaza of San Juan Pueblo. Ohkay Owingeh, photographed in the early 1900s, Courtesy of Palace of the Governors photo archives.

1607: The Spanish worked to colonize the indigenous people.  Priests and officials attempted to obliterate the traditions, ceremonies, and beliefs of the ancient Native culture.

1609: Don Pedro de Peralta was appointed Governor-General. He founded a new city at the foot of the Sangre de Cristos, and called it “La Villa Real de la Santa Fe de San Francisco de Asis,” the Royal Town of the Holy Faith of Saint Francis of Assisi. It’s now known as Santa Fe.

Statue of Peralta on Grant Ave. by Dave McGary
Statue of Peralta on Grant Ave. by Dave McGary

1610: Peralta made La Villa Real de Santa Fe the capital of the province. Between 1610 and 1618, construction of The Palace of the Governors began.

1670s: Drought caused famine, and the ongoing colonization efforts by the Spanish caused unrest among the Native people.

1675: Juan Francisco Treviño was Governor. He ordered hundreds of Native religious effigies be collected and destroyed.

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Example of Religious effigy: Zuni Kachina Doll, prize winner at the 2013 Indian Market by Bart Gasper.

Forty-seven Pueblo medicine men were arrested and sentenced to death for sorcery. The sentence was carried out on three men. Some were publicly whipped, one committed suicide, the rest were imprisoned.

Among them was important Ohkay Owingeh religious leader, Po’pay. The news of the capture spread to the Pueblo leaders. Seventy Native warriors marched to Governor Treviño’s headquarters and demanded release of the prisoners. The prisoners were released without fighting.

TheCapitol Po'_Pay

Po’pay moved to Taos Pueblo after his release, and over the next five years gathered the support of eleven other Pueblos to run the Spanish out of New Mexico.

1680: August 10th, Po’pay led the “Pueblo Revolt.”

Grand Prize Winner at 2013's Spanish Market. Mural of 1680 Pueblo Revolt by Jose Ramon Lopez.
Grand Prize Winner at 2013’s Spanish Market. Mural of 1680 Pueblo Revolt by Jose Ramon Lopez.

The last stronghold of the Spanish was the Palace of the Governors, the one public building not destroyed in the fighting. (It is now the oldest public building in the U.S.)

Image courtesy of Palace of Governors photo archives. Date unknown
Image courtesy of Palace of Governors photo archives. Date unknown

The Indians diverted the Palace’s water supply and by late August, or early September, the Spanish retreated to El Paso del Norte, led by then New Mexico Governor Antonio de Otermin.  Native warriors followed them, from a distance, all the way to the border to ensure they made their exit.

1681: November, Otermin tries to return and claim power. By January 1682, his attempts fail. He returns to El Paso. Pueblo Indians continued to occupy Santa Fe and worked hard to maintain footing against frequent invasion from the Comanche, Apache, and other nomadic tribes.

1692: Don Diego de Vargas arrived to claim his 1688 Spanish appointment as the new Governor of New Mexico.  It was September 13th. His company comprised a light infantry, seven cannons and one Franciscan priest. He offered protection from invading forces, in exchange for the return to the Catholic faith by the Indians. The Indians reluctantly acquiesced. On September 14th, it was official. Don Diego de Vargas’ “peaceful” return of the Spanish is celebrated today. Every September, members of the Fiestas de Santa Fe re-enact the event at the Plaza.

1696: As the years ticked on, the Natives grew tired of the continued oppression imposed on their traditions. A second revolt was attempted by fourteen Pueblos. Bloodshed was abundant on both sides. This revolt was less organized than the first, and sporadic fighting dragged on over the course of the next four years.

Late 1690s: By this time, De Vargas had established secure hold of the region. The Spanish issued substantial land grants to the Pueblos, and appointed a public defender to protect Indians’ rights and represent them in Spanish courts.  Franciscan priests lightened their efforts to eradicate Native traditions and religious ceremonies. A peaceful alliance formed between the Spanish, the Pueblo Indians, Apaches and Navajos. Comanches still raided the city at times.

For the next hundred years or so, Santa Fe’s municipality grew and prospered.

1821: Mexico gained independence from Spain. New Mexico became a province of Mexico and Santa Fe became the capital of New Mexico. The Spanish lifted their closed trading policy that only allowed trade between the British, French and Americans. Trade opened between Mexico and the U.S.

William Becknell started the 1,000 mile-long Santa Fe Trail, between Santa Fe and Missouri.  More American settlers arrived.

William Becknell on the Santa Fe Trail, 1821.
William Becknell on the Santa Fe Trail, 1821.

1846 : The Mexican-American War broke out.  On August 18th,  General Stephen Watts Kearny claimed Santa Fe, raising the American flag over the Plaza. (The Palace of the Governors had undergone some face-lifts and facade changes throughout the various governorships. The image below shows one of them.)

Raising the American Flag over the Palace of the Governors, Aug 18th, 1846. Photo of painting by Kenneth Chapman. Palace of Governors Photo Archives.
Raising the American Flag over the Palace of the Governors, Aug 18th, 1846. Photo of painting by Kenneth Chapman. Palace of Governors Photo Archives.

1848: New Mexico, Arizona and California were signed over to the U.S in the Treaty of Guadalupe Hidalgo.

1850: French bishop Jean Baptiste Lamy was appointed Archbishop of the Santa Fe territory. Lamy caused a big shock to the Spanish when he decreed that all the Spanish religious carvings and effigies be removed from the Spanish parish church, La Parroquia. He replaced them with ceramic religious icons imported from France.

Bishop Jean Baptiste Lamy. circa 1814.
Bishop Jean Baptiste Lamy. circa 1814.

1870: Lamy began plans for building his dream cathedral. He chose the same site where a small mission church had stood until it burned down during the 1680 Pueblo Revolt. The Spanish had replaced it with La Parroquia. Lamy replaced that with the St. Francis Cathedral. Lamy also commissioned the building of the first hospital in the area.

View of Santa Fe from Fort Marcy. St. Francis Cathedral in center. circa 1887. Image: Palace of Governors Photo Archives
View of Santa Fe from Fort Marcy. St. Francis Cathedral in center. circa 1887. Image: Palace of Governors Photo Archives

1873: Lamy encouraged the Sisters of Loretto to build the Loretto Chapel. See my blog article on the history of Loretto Chapel.

Loretto Academy with Loretto Chapel in center. Santa Fe, ca 1909. Image: Palace of Governors Photo Archives
Loretto Academy buildings with Loretto Chapel in center, Santa Fe, ca 1909. Image: Palace of Governors Photo Archives

1878: Lew Wallace was appointed Governor.  The Palace of the Governors was where he completed his well-known novel, Ben-Hur.

Gov. Lew Wallace and a first edition of Ben-Hur - 1880.
Gov. Lew Wallace and a first edition of Ben-Hur – 1880.

1880: The Atchison, Topeka & Santa Fe Railroad reached Santa Fe via a branch line from Lamy, a small town about 20 miles outside Santa Fe. Ranching boomed and so did the population, trading and tourism.

1889: A petition was received at Washington’s Capitol Hill asking that New Mexico not become a state under its own rule for fear of the local politicians being too corrupt.

City of Holy Faith, Santa Fe looking Southeast. Christian G Kaadt. circa 1895. Palace of Governors Photo Archives.
“City of The Holy Faith,” Santa Fe looking Southeast. Christian G Kaadt. circa 1895. Palace of Governors Photo Archives.

1909: The New Mexico Museum opened.

Wood vendor outside the N.M Museum of Fine Arts, c 1920. P.O.G photo archives, NM History Mus.
Wood vendor outside the N.M Museum of Fine Arts, c 1920. P.O.G photo archives, NM History Mus.
Still standing strong in 2014.
Still standing strong in 2014.

1912: January 6th, New Mexico became the 47th state.  President Taft signs the Proclamation, saying,  “Well, it is all over. I am glad to give you life. I hope you will be healthy.”

President Taft signing the proclamation of independence for New Mexico.
1912, President Taft signing the Proclamation of Independence for New Mexico.

And that’s just the beginning! There’s a lot more fascinating history, but not for today’s blog.

One of the beautiful things about this area is the preservation and continual use of so many original historical buildings.

Palace of the Governors, 2014, where the Native American vendors sell their crafts every day.
Palace of the Governors, 2014. The oldest public building in the U. S. And where Native American vendors sell their art and crafts every day.
POGVENDORS
Palace of the Governors Portal and Native American Vendors, 2014

The unique mix of varied architectural styles, from the earth-colored adobes, to the Territorial Revival themes, render a mystique of times past and stand beautifully defiant to current trends.

San_Miguel_Church_and_Saint_Michaels_College_Santa_Fe_New_Mexico.1881.whjacksonco
1881: San Miguel Church and St. Michaels’ School, Santa Fe, NM. Photo by W.H. Jackson and Co. Courtesy of the Palace of the Governors photo archives.
SanMiguelStMichaelsSchool
2014: The Oldest Church in the U.S. San Miguel Mission circa 1610. Badly damaged in the 1680 Revolt, rebuilt and restored many times. It sits alongside the original St. Michael’s School building, which now houses the Lamy Visitor’s Center.

I love that history is so important here. Diverse cultures proudly continue to honor their ancestors in a variety of ways. The Native cultures honor their traditions with religious feast days and ceremonial events throughout the year. One of the ways the Spanish heritage is honored is with Fiesta de Santa Fe, held every September on and around the Santa Fe Plaza.

If you’re visiting, there’s no substitute for a tour with a knowledgeable historian to delve deeper into Santa Fe’s fascinating stories, rumors, folklore and facts.

I recommend the walking tours around the historic Plaza area that leave from the New Mexico History Museum next to the Palace of the Governors, April through October, Mon-Sat at 10 am for $10.

It can be very interesting to chat to some of the locals, such as “Don Timoteo” Cordova, owner of local favorite restaurant Casa Chimayo. Don Timoteo is a direct descendent of the first Jaramillo and Archuleta families that arrived in the late 1500s and early 1600s. His restaurant is an original family home built in the early 1930s. He’s happy to tell guests of the Spanish history as passed down from his ancestors; just ask him. You can also go to pueblo villages and learn the Native perspective from some of the artists and locals. Cultural Treasures Tours with Robbie O’Neill offer a unique opportunity to meet Native American artists who have heard the history of their people as it has been passed down through generations.

At the state’s Visitor Center, in the Lamy Building that was once St. Michael’s School, on Old Santa Fe Trail, longtime local and historian Terry Tiedeman welcomes visitors with an excellent “Walk Through Turn of the Century Santa Fe” map to guide you to historical neighborhoods and buildings.

The area’s tumultuous history and the fact that many diverse cultures now, at last, peacefully co-exist here, is testament to how strong an affinity many folks feel for this radically different place. I felt it when I first arrived in 1984 – still do.

2014 Early spring on Santa Fe Plaza, facing north to the Palace of the Governors.
2014 Early spring on Santa Fe Plaza, facing north to the Palace of the Governors.

 

Thank you for reading my blog. If you’d like to receive my posts via email, please send your request to me at [email protected].

References

http://www.capitolreportnewmexico.com/

http://www.history.com/

http://en.wikipedia.org/wiki/Pueblo_Revolt

http://archive.org/

 

 

 

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Santa Fe’s Own Distillery Row: Santa Fe Spirits

Colin Keegan, owner of Santa Fe Spirits, wended his way to Santa Fe from Newcastle in northeast England. I think he’d get a kick out of the idea that as I listened to him tell his story, I was reminded of a familiar beer commercial, “He has climbed Mont Blanc, Kilimanjaro, and Denali. He was an architect. He left England to become a beach-bum in the Virgin Islands. He made apple brandy from his back yard orchard in Santa Fe…”

Colin earned his degree in Design Technology in England and worked in London. Riding the economic ups and downs has certainly been a challenge for architects and designers since the eighties, but Colin adapted his skills to the projects that came along to enjoy many years of success. One of the projects was in the British Virgin Islands. “I always dreamed of becoming a beach bum. This seemed like an opportunity to do that,” says Colin with his Newcastle, Geordie accent that takes me back to my merry ole’ homeland. “But I ended up working on the project the whole time.” While in the B.V.I., Colin met his wife-to-be, Suzette, and her one-year-old daughter Phoebe. After two years living the island life, the new family decided to move to Santa Fe, where Suzette’s parents were originally from.

Colin designed their dream home on a plot of land in Tesuque, originally homesteaded by Archbishop Lamy’s groundskeeper. With its large, mature apple orchard, this land would change Colin’s career direction and get him into the “spirit” of things – literally.

The overabundance of apples the orchard produced each fall gave rise to a bit of a problem. “We had about 500 gallons of apples to get rid of every year,” says Colin.

“We’d have friends over for apple pressing parties,” he says.  “It was fun, but there’s only so much apple juice and cider you can drink before it begins to turn.” A friend suggested making it into apple brandy as a way to make it last.

It wasn’t long before Colin realized he had a budding new career direction ahead of him. He turned down a promotion from the New Mexico engineering project he had been working on and dedicated his time to this new baby.

Santa Fe Spirits' Still
Santa Fe Spirits’ Still

After a year of licensing and legal hoop jumping, Colin started his distillery. In 2010, he bought a small building on Mallard Way, about 10 miles southwest of downtown Santa Fe, to house the still for the production of the company’s signature Apple Brandy.

AppleBRandysidecar

Colin admits the learning curve of handcrafting artisan liquors has had its peaks and valleys.  Knowing when to capture that fleeting window of transition between the “heads, hearts and tails” in the distilling process to create that quintessential flavor is just one of the many marks of a true veteran distiller. Santa Fe Spirits has definitely made the grade by creating four award-winning products in as many years. They are the spirits of choice at many top hotels, bars and restaurants around Santa Fe and can be bought at stores throughout Texas, Colorado, Oklahoma, New Mexico, and Oregon.

All four award-winners and the new Colkegan Single Malt Whiskey
All four award-winners and the new Colkegan Single Malt Whiskey

Unique to Santa Fe Spirits’ products are the locally sourced, organic ingredients that render a distinctly Southwestern flavor profile. The Wheeler’s Gin is a special botanical blend named for George Montague Wheeler, an explorer and cartographer who mapped New Mexico in the 1870s. By the way, northeast of Taos is Wheeler Peak, the tallest point in New Mexico at 13,167 feet.

Captain Wheeler by Alice Pike Barney
Captain Wheeler by Alice Pike Barney

Bright fuchsia blossoms of the desert cholla cactus add to the gin’s aromatic back-note.

Cholla Cactus in bloom
Cholla Cactus in bloom

Flowering season is short for the cholla, from late spring to early summer. “The staff pick them from the nearby mesa, along the Rio Grande Gorge en route to Taos, or wherever we see a field in bloom,” says Colin.

Osha root is another botanical, which grows within a limited altitude range above 7,000 feet. Santa Fe’s Sangre de Cristos are the perfect elevation. Let’s not forget the prolific native sage, and juniper berries. All converge to create a distinctly Southwestern flavor.

wheelers label gin

The compass on the gin label is a tribute to Wheeler’s accomplishments in literally putting New Mexico on the map.

The name Expedition Vodka is a tip of the hat to Colin’s past accomplishments as a world traveler, when he had the time to go on expeditions and climb 20,000-foot-tall mountains. “This is my expedition now,” he says smiling, “I don’t have time for anything else.”

The newest arrival to this family of artisan spirits is the Colkegan Single Malt Whiskey. Made much as the good ole’ Scots do it, but instead of using the Scottish peat to smoke the grain, they use the more indigenous mesquite wood.  It is expected to outdo its siblings in awards and sales.

The licensing and liquor laws have changed over recent years to allow small businesses to distill, and to offer tours, tastings and their own whiskey bars. The trend is fast becoming as popular as the numerous boutique breweries and wineries that have been doing well for many years nationwide. Santa Fe Spirits is the first boutique distillery and tasting room in Santa Fe proper, and one of only five in New Mexico. They offer tours and tastings at the distillery for groups and individuals.

Climate controlled barrel room. Has to have the perfect humidity and temperature to keep leaks away in the desert.
Climate controlled barrel room. Has to have the perfect humidity and temperature to keep leaks away in the desert.

In July 2013, Santa Fe Mayor David Coss cut the ribbon on Santa Fe Spirits’ new downtown tasting room in the heart of the Railyard District at 308 Read Street.

Downtown Tasting Room Ribbon Cutting. July 2013
Downtown Tasting Room Ribbon Cutting, Colin and Mayor Coss. July 2013

The cozy bar offers myriad, colorful varieties of straight-up and cocktail creations, Monday through Saturday from 1:30 p.m. to 8 p.m.

Santa Fe Spirits' Downtown Tasting Room
Santa Fe Spirits’ Downtown Tasting Room

“Whiskey is now what tequila was a decade ago,” says Nicolas Ballas, co-owner of The Cowgirl Restaurant in downtown Santa Fe. And he should know, he’s been supplying his popular bar for over twenty years. Now he’s expanding the bar’s whiskey options to keep his customers satisfied. Santa Fe Spirits is a healthy part of that inventory.

When talking to Colin, you can sense the great pride he has in his bustling hive of industry. He seems right at home and content with all the demands the business places on him. He’s also very proud of his well-trained crew of employees that works hard to grow the company in all areas of the production process, from distilling to marketing and distribution. “I intend to keep growing the product line and adding to the employee roster. It feels good to be able to employ good people,” says Colin. “We aim to be the regional distillery competing with quality standards on a national level.”

Colin at the Distillery Bar on Mallard Way.
Colin at the Distillery Bar on Mallard Way.

With the expansion of the product line comes the need for more space. Since 2012, Santa Fe Spirits has bought two buildings adjacent to the original distillery to house the additional vats, grains, barrels, product and offices. They are planning to open tasting rooms around New Mexico, including Albuquerque and Taos.

It’s fun for me, as an English ex-pat, to know other Brits in Santa Fe. There are quite a few, and it seems this down-to-earth English guy has also found his calling in northern New Mexico. Congratulations Colin! You’ve given Santa Fe its very own Distillery Row.

santafespiritssign

For more information on Santa Fe Spirits or to schedule a tour and/or tasting call (505) 467-8892 or go to: http://santafeselection.com/day-trips-activities/santa-fe-spirits-distillery

 

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Fly Fishing Year-Round in Northern New Mexico

People are often amazed to hear that the fly fishing in Northern New Mexico is excellent throughout the year, or, for that matter, that there is fishing of any sort in the high desert.

winter fly fishing

Jarrett Sasser, owner of High Desert Angler, is the go-to guide and resource for all things fly-fishing in and around Northern New Mexico. “I get a lot of people asking me, ‘Where do you fish here?’,” says Jarrett, “because they can’t believe there’s enough water in the high desert. I pull out the map and show them at least 14 or 15 different places, all within a two-hour drive of Santa Fe. There is no closed season here. We’ve got lakes, big river and small river fishing. We’re lucky we can run the seasons.”

"It was THIS big!" Jarrett Sasser, owner of High Desert Angler
It was THIS big!  – Jarrett Sasser, owner of High Desert Angler

The Sangre de Cristo Mountain Range forms the southern tip of the Rockies. The Chama, Pecos, Rio Grande, and Brazos Rivers run through Northern New Mexico. There’s a wide variety of trout in these waters, including Rainbow, Brown, Rio Grande Cutthroat, and Brook, along with Smallmouth Bass and Northern Pike. There’s also a land-locked salmon called Kokanee, which is of the Sockeye species.

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Jarrett and a winter Brown Trout

For more than fifteen years, High Desert Angler has been the top fly-fishing company in Santa Fe. Over time, Jarrett and his dedicated team have cultivated strong relationships with landowners in Northern New Mexico and Southern Colorado. They have access to some of the best private rivers, lakes and streams you can find.

Private Access Stream Fishing New Mexico

Jarrett grew up bass fishing in Austin, Texas. His grandfather was a guide in the North woods during the Depression, and he passed along a “few basics” to Jarrett. He also realized Jarrett had a knack for fishing and told him, “You could make a living at it.” To hear Jarrett tell it, it sounds as if he spent most of his childhood angling (pardon the pun) to skip school so he could go fishing. “I was pretty keen to fish,” he says with a smile.

It wasn’t until he arrived in Santa Fe that Jarrett took up fly fishing. Since his arrival, in his late teens, his passion and determination set him on course to fulfill his dream of becoming a guide. He sought work that kept him close to the water or the sport in some way. He worked as a river-rafting guide, and in the retail store for a fly fishing outfitter called High Desert Angler, then owned by Jan Crawford.

“Jan was a good mentor,” Jarrett says. “She taught me the management side of the retail business.” It took some time before Jan allowed Jarrett the responsibility of his own guiding trips. “I would work in the store without pay, so I could borrow equipment and head out to practice alone. That way I could keep learning from doing and hone my skills to become a guide.”

Meeting future wife Glory was another stroke of fishing fortune for Jarrett. Although Glory’s family is from Northern New Mexico, Glory was born in New Zealand. When they went for a visit, Jarrett took to the Kiwi waters with ease, gaining more worldly experience. He has since traveled extensively to fish in both fresh and salt water in Argentina, Chile, British Columbia, The Bahamas, and Belize, to mention a few.

Back in Santa Fe, he began availing his skills as an independent guide. Jan and other outfitters sent him clients and it wasn’t long before he was developing “a nice group of return customers.”

Summer on the Pecos River
Summer on the Pecos River – Rainbow Trout

In 1999, Jan wanted to sell the outfitting business. “It was around that time we found out we had our first baby on the way,” said Jarrett. “Glory encouraged me to get a loan and buy the store. There were lots of changes coming.” It was 2001 when they finally bought the business.

“It was a tough year to start up with 9/11, the economy, forest fires and many closures. But we trudged through.”

Fifteen years and three children later (all of them anglers), Jarrett’s High Desert Angler is going strong as the leading fly-fishing guide and outfitter in Santa Fe. They offer a variety of classes for all skill levels. “It’s great to take out a family, individuals, or groups of friends. We show them how to have a great time, so they love it so much they’ll come back for more.”

The store has moved locations a few times, but now couldn’t be more ideally situated on its tiny island amid the streams of Santa Fe arteries Cerrillos Road and Sandoval downtown.

High Desert Angler Outfitters
High Desert Angler Outfitters on its own island in downtown Santa Fe.

The shop is well stocked with all the supplies, flies, waders, line, rods and all kinds of tackle anyone could want.High Desert Angler Fly Fishing Outfitters Northern New Mexico

The worldly experience Jarrett and his guides bring to the business gives them an edge in knowing how to cater to the needs of anglers, no matter where they’re from and what they’re used to.  “The waters here attract anglers from around the world. It’s good to know for someone calling us from, say, Argentina, that we’ll have the gear and supplies they need when they get here.”

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One section of the massive fly selection at H.D.A

The crew of seven guides have been with Jarrett since the beginning. All are experts in their field and either native to the area, or long-term transplants.

Norman Maktima, Head Guide at High Desert Angler
Norman Maktima, Head Guide at High Desert Angler

Norman Maktima is Jarrett’s head guide. He is a local Native American from San Felipe Pueblo. In 1998, Norman was a junior member on Team U.S.A. at the World Fly Fishing Championships and became the only U.S competitor to win gold that year. He continues to compete annually for Team U.S.A, which takes him around the world, including Italy, Norway, Scandinavia and many others.

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Pecos River- Fishing amid the changing leaves in Autumn

Global weather changes continue to affect everything, and New Mexico is no exception. In 2013, the Tres Lagunas and Jaroso fires coursed through almost 14,000 acres in the Pecos Wilderness area. Late summer floods dumped mud, ash and silt into the Pecos River. “It was very depressing,” says Jarrett. “The river was black, the birds and bugs were gone. We watched it change in front of us. We hung in there and fished other areas during that time, and hoped the river would revive.” The Sasser family live alongside the Pecos River, so they got to watch the next phase of Mother Nature’s cleanup operation.

“In September, it started raining one day and the river slowly rose. The next morning the whole back yard was flooded. It was higher than I’d ever seen it before. It just kept rising. The flow was recorded at 5,000 cubic feet per second, and a 9-foot wall of water was plunging through the canyon – the highest water on record. The flood lasted almost 10 days and it flushed out the ash from the burn scars at a rapid rate. Now it’s pristine again. It’s pretty amazing. The water is crystal clear, and the wildlife is restored. The banks are primed for new growth in spring. We thought it would take years to come back. It’s beautiful again already. Mother Nature needed to cleanse and she really did.

The entire corridor is better than I’ve ever seen it in 25 years. Now we’re off and running. We’re booking up for guide trips through 2014, and I’m excited about the conditions we’ll have,” said Jarrett.

Fishing on the Pecos River
Teo Sasser fishing in his father’s footsteps – Pecos River

It may be a little-known fact that Northern New Mexico offers top-class fishing, “But that’s ok,” says Jarrett, “we like it that way.” The crew of High Desert Angler are some of these waters’ best guardians and stewards and it’s a good sign that they’re looking forward to another year of great catch and release.

I’m resolving to make this the year I hang that sign on the door saying, “Gone fishin’!”

I’ll let you know how I do.

For more information on High Desert Angler call (505) 988-7688 or go to: http://santafeselection.com/day-trips-activities/high-desert-angler  and learn details on the latest stream reports, guide trips, and various classes.

Thank you for reading my blog. If you’d like to receive my posts via email, please send your request to me at [email protected].

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Tour the World at The International Folk Art Market – Santa Fe

Intended as a one-time event in 2004, the International Folk Art Market in Santa Fe is now the largest of its kind in the world. Now, this highly anticipated extravaganza is held every year, usually the second weekend in July, in Santa Fe. Since it began, as many as 650 master folk artists from as many as 80 countries across six continents have participated. I hope you enjoy the following visual record I took at the 2013 market. I tried to make note of everyone’s name and country, but I admit I couldn’t keep track of them all.

Intnl Folk Art MarketIt is a global event in many ways. Where else can you find so many fascinating people and cultures gathered in one place? You can literally take a stroll around the world. Wend your way under the canopies, and be awestruck by the vast displays of art flowing in waves of color and texture like a global smorgasbord.

Baskets International Folk Art Market Santa Fe

folk art puppets- International Folk Art Market Santa Fe

Silks in abundance- International Folk Art Market Santa Fe
Silks in abundance

Visitors from all over the globe gather in Santa Fe each July to experience this weekend celebration of folk art, music, food and fun at Museum Hill’s Plaza, surrounded by expansive vistas and mountain ranges.

Brazilian visitors on a shopping spree at the International Folk Art Market Santa Fe
Brazilian visitors on a shopping spree. They made a special trip to buy for their boutique back home.

Kenya, Japan, Madagascar, Nepal, Kyrgyzstan, India, Korea, Venezuela, Swaziland, Palestine, the Kingdom of Tonga and Peru are just a few of the countries participating. Wood carvings, pottery, textiles, jewelry, clothing, sculpture, beadwork, basketry, retablos, musical instruments; if you can imagine it, it is probably at the market along with many things you haven’t begun to imagine.

Tambourines - International Folk Art Market Santa Fe
Tambourines
Peruvian hand-carved and painted gourds.
Peruvian hand-carved and painted gourds.

Artists keep working on pieces as the market bustles around them.

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Sisters Ique and Adriana Etacore de Picanerai are Ayoreo Indians from the Bolivian savannah. They weave bags, skirts, belts, panels and honey pots from native plant fibers.
Manjula Thakur of Nepal. Maithili painting on handmade paper
Manjula Thakur of Nepal. Maithili painting on handmade paper

Over the years, many artists have won numerous awards and gained celebrity status, and a loyal following of collectors world-wide. Elhadji Kumama is a well-known jeweler and member of the Tuareg metalsmiths.

Elhadji Koumama of Niger, with a loyal fan of his Tuareg Jewelry
Elhadji Koumama of Niger, with a loyal fan of his Tuareg Jewelry

The Tuareg lead a nomadic lifestyle. They keep moving in search of areas that will help them earn an income, so they can send money back home to support their families. They use simple tools and fine stones and silver to create a variety of accessories. Jewelry-making is an easily portable trade for a nomad.

tuareg jewelry

Situated between the Museum of International Folk Art and the Museum of Indian Arts and Culture, Museum Hill’s Plaza is the ideal location for this event. There’s plenty of room for all the tents and stalls, juice stands, food booths, the stage and cashier booths.

Museum Hill Plaza
Museum Hill Plaza

You don’t have to be an art lover to appreciate the uniqueness of this world event. All weekend long, musicians from far off lands perform on the stage.

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As live music rides the air, you can spend a summer’s day strolling from country to country, visiting fascinating people you may never get to meet otherwise.

Beauty Ngxongo of Zululand. Her woven baskets are featured in all the South African museums.
Beauty Ngxongo of Zululand. Her woven baskets are featured in all the South African museums.

Food tents offer shade and a place to refuel with delicious fare from local restaurants, such as one of our faves, The Cowgirl, and many others. There’s also the Museum Hill Café situated alongside the market.

Food booths and shade umbrellas provide a welcoming refueling station.
Food booths and shade umbrellas provide a welcoming refueling station.

The ripple effect from this event is testament to how art truly can change and save lives. Over a million lives have been positively impacted by the boost of funds the artists bring to their home communities. During one weekend in Santa Fe, most artists earn as much as ten times their entire annual income back home. So far, an estimated 16 million dollars has been generated from sales. Artists take home 90% of their earnings, which contributes to better living conditions, clean water, schools, medicines and agricultural supplies for their villages.

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A beautiful face and artist.

For women to have earning power contributes to radical changes in their community in many villages, by winning them a voice in local politics. This enables them to work toward ending ancient traditions that inflict pain and hardship on the female population of their cultures.

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Balinese hand-carved and painted ceremonial masks.

The Folk Art Market’s events usually begin on the second Friday of July with an Opening Party, and continue through the weekend with interesting lectures, concerts, movies and workshops held at various locales around town, including MOIFA, the Railyard Park, and the Lensic Performing Arts Center.

TICKETS

Tickets go on sale early May, online at: https://folkartmarket.org/ where you can see more information of the current year’s events etc.

LODGING

The International Folk Art Market is creating such a buzz that many collectors, enthusiasts, and the casually curious are booking their stays as far as six months to a year in advance. It isn’t unusual for Santa Fe hotels to be fully booked during this July week. See our list of recommended lodging options to find the right fit for you.

FREE Mini Guide Map: If you’d like my FREE Mini Guide Map of Santa Fe & surrounding areas, with my curated lists of things to do, where to eat, play, shop, explore, send me your U.S. mailing address via email to [email protected] (Santa Fe Selection Travel Guide) Free if mailed within the U.S.

TRANSPORT

There are multiple options for transport to Museum Hill. If you drive, there are some parking areas surrounding the market, but it’s usually a bit of walk to get tot he market entrance. Some hotels have shuttle buses. There are free shuttle buses that run throughout the day all weekend from the Capitol Parking Lot in downtown Santa Fe. Check the FolkArtMarket.org website links for all current year’s info and updates.

large tent at folk art market

A day or two at the Folk Art Market leaves you feeling as if you’ve taken a fun and easy walking tour of the world – without the eternally long flights and customs hassles!

Watching the show

For more on the International Folk Art Market in Santa Fe go to: http://www.folkartmarket.org/

For more on the International Folk Art Museum go to: http://santafeselection.com/museums/museum-of-international-folk-art

For more on the Museum of Indian Arts and Culture go to: http://santafeselection.com/museums/museum-indian-arts-culture

For lodging recommendations go to: http://santafeselection.com/lodging

FREE Mini Guide Map: If you’re visiting any time of year, and you’d like my FREE Mini Guide Map of Santa Fe & surrounding areas, with my curated lists of things to do, where to eat, play, shop, explore, send me your name and complete U.S. mailing address via email to [email protected] (Santa Fe Selection Travel Guide) Free if mailed within the U.S.

Thank you for reading my blog. If you’d like to receive my posts via email, please send your request to me at [email protected].

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Loretto Chapel – Many Miracles on the Old Santa Fe Trail

The Loretto Chapel, also known as Our Lady of Light, is well known for its “miraculous staircase,” but as I looked into its history in more detail, I noticed quite a few miracles that we can thank for its existence.

LorettoChapelSantaFeThe Loretto Chapel ranks on a par with the St. Francis Cathedral as one of the City Different’s most beautiful structures steeped in Santa Fe history. French Archbishop Jean Baptiste Lamy was appointed the Santa Fe territory in 1850. He made the arduous journey from Paris to Santa Fe and was confronted by considerable resistance from the incumbent clergy in the area.

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Bishop_Jean_Baptiste_Lamy. Photo: Palace of the Governors Archives.

His efforts to bring Catholicism to the residents included enticing teachers, priests, nuns and architects to Santa Fe at a time when cross-country and global travel was at its most treacherous. He appealed to many.

The Kentucky-based Sisters of Loretto Institute was among the first to respond to Lamy’s pleas for help.  In 1852, seven brave Sisters undertook the perilous journey to New Mexico from Kentucky.  The many dangers of covered wagon travel included Indian country, cholera, and bad weather.  It is said that one Sister died of cholera, and one was so ill she had to return home.

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Historic Map of the Santa Fe Trail and the Indian Country it traversed.

The remaining five Sisters completed the journey to arrive that same year. In 1853, the first school buildings were constructed and later that year, they opened the doors of the Loretto Academy to a handful of students.

Over the years, more Sisters arrived and The Academy grew to three hundred students before closing in the late 1960s.

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Another of Bishop Lamy’s dreams was to build a cathedral in Santa Fe. He brought French architect Antoine Mouly and son Projectus all the way from France in 1870 to build what is now known as the St. Francis Cathedral.

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Late 1800s. View from Fort Marcy of Santa Fe including St. Francis Cathedral. Photo: Palace of the Governors Archives.

During the Cathedral’s construction, Lamy suggested the Loretto Sisters take the opportunity to build a Chapel for the Academy. The cost of construction would be $30,000 (approximately $600,000 today). The Sisters persevered and managed to gather the funds by adding their personal inheritances to the donations the community contributed. The Chapel was built between the two academy buildings.

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Loretto Academy Santa Fe circa1909. Photo: Palace of the Governors Archives. Bishop Lamy’s Carp Pond in the Foreground.

The design of the Loretto is based on Lamy’s favorite chapel in Paris, that of King Louis IX’s Sainte Chapelle. Having helped renovate Sainte Chapelle in the early 1800s, Mouly was able to bring the Gothic Revival style to the Loretto, making it the first of its kind to be built west of the Mississippi.  With its vaulted ceilings and towering stone arches, it was a dramatic contrast to the soft curves of indigenous adobe churches.

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The various materials used were brought from near and far. The beautiful stained-glass for the windows came all the way from Paris, enduring ocean, paddle-boat and covered wagon transport. (No bubble wrap in those days!) Construction began in 1873 and took five years to complete.stainedglassloretto At some point between 1877 and 1881, the infamous staircase was built by a mysterious stranger.  Curiously, the choir loft had been built twenty-two feet above the main floor without any means of access, other than perhaps a shaky stepladder. After consultations with numerous carpenters, the bad news was that there would be no way for the Sisters to have a staircase built that wouldn’t impose on the limited seating area in the chapel.

The Sisters didn’t give up. They devoted a novena (nine days of prayer) to St. Joseph (the Patron Saint of carpenters).  On the last day of prayer, a carpenter arrived with a donkey and a small toolbox looking for work. With a few rudimentary tools, he worked for six months to create a spectacular work of art that served both the purpose of elevation for the choir and minimal intrusion on the lower seating area. He then promptly vanished from Santa Fe and without payment! The sisters tried to find him to thank him, but despite their efforts, he was never seen again.

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Simulation model of the completed Loretto staircase.
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Loretto Staircase with the later addition of a railing.

Even though spiral staircases are no longer a novelty, I can’t help staring at this one for its beautiful qualities that no modern staircase I’ve seen can compete with.  Originally without a railing, the stairs spin in a compact nautilus curve up twenty-two feet to the choir loft. Without the railing, I wouldn’t have wanted to be in the choir; vertigo is the first thing that leaps to mind. To this day, mysteries surround the staircase, from who the carpenter was, to the physics of how two complete 360-degree turns are held together with only wooden pegs, not nails or glue, and no visible means of support. And the wood used is apparently extinct.  The mysteries have been a source of intrigue for many media sources, among them “Unsolved Mysteries,” “Ripley’s Believe It Or Not,” “National Geographic,” and a 1998 television movie starring Barbara Hershey called “The Staircase.”

Staircase-barbara hershey

By 1968, the Academy had ceased to exist, and the Chapel was deconsecrated as a formal place of worship. The entire complex of Academy buildings, Chapel included, was put up for sale. By 1971, they had sat essentially abandoned and in disrepair for over three years. The future was looking bleak for this once-thriving chapel. A city permit was issued for the demolition of the academy buildings.

Again, just in time, and as if answering a prayer, in 1971 a buyer arrived. This time we know their name, and I’m sure the Kirkpatrick family knows how grateful we are to them. They persevered through a lengthy purchase process that took upwards of a year, to finally buy the buildings.

The Kirkpatricks invested in the renovation of the Chapel, and it has been a family-run museum and event space ever since. The Academy buildings were demolished and The Inn and Spa at Loretto now occupies the majority of the rest of the city block. There is a garden and Luminaria Restaurant’s patio where one of the Academy buildings once stood.

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Since its purchase in the early 70s, the Chapel has become a prominent cornerstone in the community. Each year, Loretto Chapel welcomes hundreds of weddings, special events, and performances.

For over 30 years, one of the most popular events is the Santa Fe Pro Musica Baroque Christmas Concert Series held each year during Christmas week. The large thirty-piece orchestra is trimmed to an eight or nine-piece ensemble for this event. The intimate setting and resounding acoustics make for a sweet, Christmas sound as they perform such masters as Handel, Molter, Purcell and traditional Carols. (Singing along is encouraged.) The Baroque Christmas Series has become a Holiday tradition for many locals and travelers.

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Santa Fe Pro Musica Baroque Christmas Ensemble.

Baroque Christmas runs December 20th through December 24th at 6 p.m. and 8 p.m. each evening. The Santa Fe Pro Musica Orchestra performs at many locations around Santa Fe from mid-September to mid-April.  If you miss Baroque Christmas, there’s also the Baroque Holy Week Concert Series in March, 28th, 29th at 7.30 p.m and 30th at 6 p.m. Tickets sell out in advance, so contact them at (505) 988-4640 to buy yours.

The Kirkpatrick family continue to oversee and manage the Chapel museum and event space, preserving its beauty and mystery for all to visit for a mere $3 donation. It is open daily with the exception of Christmas Day and perhaps for a few hours for a wedding or event.

The Chapel is also a point of origin for one of the best, longest-running tour companies in Santa Fe, the Loretto Line Tours. They offer educational and fun open tram tours of the historic downtown area, including Museum Hill.  Tours run seasonally from around mid-March to late October depending on weather.

loretto tram1

After researching the people and the stories behind the Chapel, and its surrounding buildings that we lost, I appreciate the Loretto even more. Not only for its famous “miracles,” but for the little-known ones too, and how it stands as testament to the determination of our predecessors, the extreme adverse conditions they encountered, their monumental undertakings, and the enduring beauty they left behind.

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For more information on The Loretto Chapel go to: http://santafeselection.com/museums/loretto-chapel

For more information on The Loretto Line Tours go to: http://santafeselection.com/day-trips-activities/loretto-line-tours

For more information on Santa Fe Pro Musica go to: http://santafeselection.com/entertainment/santa-fe-pro-musica

Thank you for reading my blog. If you’d like to receive my posts via email, please send your request to me at [email protected].

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Christmas – Santa Fe Style

Santa Fe wears Christmas so well. From Thanksgiving through New Year’s, its adobe parapets lined with farolitos, cedar and piñon burning in fireplaces, and the abundance of sweet-smelling spruce trees create an air of warmth and comfort against the backdrop of snow-capped Santa Fe Baldy. The Holiday nostalgia is easily rendered along Canyon Road as it offers up its historic sidewalks and alleyways to the paper and candle farolitos, which guide the way for hundreds of people as they walk and sing Carols on Christmas Eve.

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Canyon Road Christmas Eve. Photo courtesy of Katharine Egli.

The air may be cold, but the small bonfires, hot toddies and friends keep the heart warm, and Christmas past and present merge in the twilight.

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Luminaria (bonfire). Photo: Canyon Road Merchants Assoc.

A little side note: There is an age-old discourse on the proper use of the words “farolito” and “luminaria” in New Mexico. The word “farolito” means little lantern, and is applied to the small votive candles in the paper bags that line the streets, and rooftops.

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Canyon Road Farolitos. Photo Courtesy of Katharine Egli.

“Luminaria” means little bonfire, which refers to the little bonfires on the streets, and has also sometimes been applied to the electric lights in bags. That said, the terms are often used interchangeably, which remains a source of continual, good-humored debate among locals. (Please drop a comment below if you can offer any further insight – let’s keep the traditional debate going.)

Every year, Santa Fe begins its Christmas anticipation the day after Thanksgiving. People gather around 4 p.m. to watch as a vintage fire truck parades Santa and Mrs. Claus around the Plaza, eventually stopping to greet everyone.

Kids clamor to give Santa their Christmas wish lists, and after dark, (usually around 6 p.m.), the brilliant display of Christmas decorations light up the Plaza.

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Santa Fe Plaza Lighting

The traditional pick-up point for Santa and Mrs. Claus has always been The Shop – A Christmas Store just a few steps from the Plaza on East Palace Avenue.  Owned and operated by locals Rick and Janice Griego, The Shop is one of the oldest year-round Christmas and holiday ornament stores in the United States. They also help the city with the event decorations each year.

Santa and Mrs Claus outside The Shop
Santa and Mrs Claus outside The Shop
Mr & Mrs Claus beside the vintage fire truck.
Mr & Mrs Claus beside the vintage fire truck.

The Shop is a local and visitor favorite, stocked to the gills with EVERYTHING Christmas you’d expect and a ton more your imagination hasn’t thought of yet.

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Rick Griego had no idea that he would graduate from college to eventually become the owner of a most successful Christmas shop downtown. Rick was born and raised in Santa Fe, in an area known as “the Barrio” or old neighborhood about ten blocks west of the Plaza. He attended Our Lady of Guadalupe, St. Michael’s High School and New Mexico State University.

While in college, he met Janice Doyle, an Albuquerque native. They both graduated in 1983, Janice with a degree in Business, and Rick with with a double major in Criminal Justice and Government. Rick recalls, “It was during the Reagan administration and jobs were scarce, leaving many graduates either jobless or overqualified for minimum wage employment.”

That summer, Rick returned home to Santa Fe to determine his next move toward a career in law. A friend of the Griego family introduced Rick to Ed Berry, the original owner of The Shop. Ed had opened the store in 1977. It was originally an antique store with a corner dedicated to Christmas ornaments by local artists. By 1983, Ed was in need of extra part-time help during the busy summer months. Rick was hired on the spot and as time ticked by, he stayed on. He soon became full-time, and then store manager. In 1989, Rick and Janice married and when Ed retired in 2002, they bought the store and have kept it running beautifully. In 2014, it will celebrate its 37th year!

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The Shop also carries the largest stock of holiday lights for every occasion, including Easter and Halloween. Back in the early 1980s, it became the original birthplace of the now-world-famous chile lights we see in strands and ristras everywhere at all times of year.

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Shepherd, King and Cross Clay Ornaments by Jil Gurule, and Chile Lights

Rick remembers Ed coming up with the idea. When some light strands they ordered kept losing their covers, Ed decided to pop the stems off a chile ornament and put them onto the light strands instead “et voila!”

“Everyone in the family was enlisted to put chiles on the strands,” said Rick, laughing. “We spent hours and hours doing it, and every spare minute in the shop. We’d even take them home and spend evenings putting the little chiles on the lights while watching TV.” Once Rick and Janice bought the store, they asked the manufacturer for a quote to make the chile lights, and the cost was little more than it was costing already. From then on, the lights arrived complete with chiles installed. They are now one of the biggest sellers in the store.

Ristra of Chile Lights
Ristra of Chile Lights

The extensive variety of novelty-themed lights includes roses, SpongeBob, butterflies, birds, Snoopy, cupcakes, the classic gingerbread men, and even those psychedelic-looking bubble lights that you can’t find just anywhere.

In addition to the traditional and modern-themed ornaments from well-known makers around the globe, Rick and Janice have been working for years with as many as thirty-two local artists who create unique decorations just for The Shop.

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Ceramic ornaments by Isleta Pueblo artist Kimo De Cora.

For as little as a dollar and up to many hundreds, there is a terrific array of artworks to choose from. While the traditional arrangements remain popular, the special works by the local artists that include Southwest themes and iconic images are especially unique and have grown to become popular collectors items.

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Clay Ornaments by Santa Fe artist Sue Tucker

Kathy Peña is a local artist who creates amazingly detailed, themed Santas. All are adorned with her hand-made details, from the clothing to the items each Santa carries. There’s the Mexican Pancho Claus, a Cowboy Claus, and Native American Claus.

Santa Claus Dolls - KathyPena
Kathy Peña-Pancho Claus

She sculpts the faces from clay and paints them by hand and they have glass dolls’ eyes. On Pancho Claus, the hat is the only thing that’s bought. It took a long time to find something to fit the right scale, and at last Kathy’s daughter found the perfect fit in Mexico. No two are alike – so for only $140, your Santa is an original.

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Kathy Peña-Cowboy and Native American Santa

Another very talented artist is Jil Gurule.  “She’s our premier artist,” Rick says, “we’ve worked with Jil for so long, she’s part of the family. She has become an incredible artist over the years.”

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Jil Gurule – Mud Head

Jil works in various media. She makes beautiful clay Mud Head figures and a variety of lovely ornaments. “The artists’ creativity never ceases to amaze me,” Rick says. “They always manage to surprise me with their imaginations and incredible talent.”

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Jil Gurule – Our Lady of Guadalupe

“I never imagined I would graduate college and end up still here in Santa Fe at The Shop after all these years, but there’s nothing like living here and working downtown so close to the plaza,” says Rick, “I think the best thing about Santa Fe is its people, whether they live here, or are passing through. When you combine the people, the history, the mountains and the culture here, there’s no place like it.”

Year-round, Rick and Janice welcome hundreds of customers a day, and many return year after year to see what’s new from the artists showing in The Shop’s Christmas Wonderland. “It is a great place to work,” said Janice,  “It’s a happy place. Every day we get to meet people from all over the world. It’s always great fun to see new faces and revisit with those who come back year after year. ”

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Rick and Janice Griego and Kathy Peña’s Native American Santa!

The Shop is a family-run labor of love. They are open almost 365 days a year, closing only for Thanksgiving Day, and Christmas Day. They close early on Christmas Eve. The rest of the year, their doors are open and the family business bustles like Santa’s workshop, with Rick, Janice, Rick’s sister Debbie, and nephew Cody taking turns at the helm.

For more information on The Shop call (505) 983-4823 or go to: http://santafeselection.com/unique-shops/the-shop-a-christmas-store

Additional Holiday Events For You to Enjoy:

Christmas at the Palace

When: Dec 11, 2015. 5:30 PM to 8:00 PM. Free Event.
Where: New Mexico History Museum and Palace of the Governors at 105 W. Palace Avenue.

Now, in its 30th year, this Christmas favorite brings folks together in true holiday spirit, for a visit from Santa and Mrs. Claus, hot cider, live music, and entertainment – in the legendary magic of the Palace of the Governors.  (The History Museum and Palace of the Governors will close early at 3 p.m. to prepare.) Enter through the Palace entrance at 105 West Palace Ave. The History Museum will remain closed in the evening.

Las Posadas

When: December 13, 2015. 5.30 p.m – 7.00 p.m. Free Event.

Where: The Santa Fe Plaza and the Palace of the Governors Courtyard

The New Mexico History Museum and Palace of the Governors hosts the long-held Hispanic tradition called Las Posadas.  This version recreates Mary and Joseph’s search for a place to give birth to the Baby Jesus – and throws in a few devils for good measure. The annual candle-lit procession of Las Posadas travels around the Santa Fe Plaza and concludes in the Palace Courtyard. Stay for carols in the Palace Courtyard, along with cookies and refreshments. Free and open to the public.

The Santa Fe Botanical Garden – GLOW Event.

When: Starting December 3, 2015 and running through January 2, 2016, Thursdays – Saturdays 5 – 8pm. Last entry at 7.30pm.

Where: Santa Fe Botanical Garden at Museum Hill.

Experience a festive light display, meet Santa, enjoy food and hot toddies. Click here for details, location map and ticket prices.

Thank you for reading my blog. If you’d like to receive my posts via email, please send your request to me at [email protected]. And Happy Holidays! ~ Maria.

 

 

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Feed Your Fetish at KESHI-The Zuni Connection

The origins of the noun fetish stem from the17th-century Portuguese word feitiço meaning “charm or sorcery,” and the Latin word facticius meaning “made by art.” In Native American culture, it represents a found rock or pebble that resembles an animal, which may be carved to enhance the image, and imbued with a spiritual power or “medicine.”  Native Americans have carried these talismans for more than a thousand years. Fetishes have served as empowering reminders of the human connection to nature and to those qualities the animal reflects, such as agility, perseverance, independence, and survival.
Buffalo Fetishes - Salvador Romero
Buffalo Fetishes – Salvador Romero
Mountain lion medicine reminds us to establish healthy boundaries and be a good example to others.
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 A bear (the most sacred fetish for the Zuni) represents healing, protection, strength, and mothering.
Lapis Bear - Lynn Quam
Lapis Bear – Lynn Quam
There is no limit to the talisman forms that will offer its bearer that extra “magic,”  or sense of whimsy that brings a smile. The fetish keeps up with the world’s changes and you can find many modern influences in the art form.
Skateboarding Turtle - Brennette Epaloose
Skateboarding Turtle – Brennette Epaloose
Of all the Native American tribes, the Zuñi are the most widely known today for their outstanding quality of fetish art and craftsmanship.

The Zuñi Tribe is distinct in many ways.  Zuñi Pueblo is the largest in New Mexico, comprising about 450,000 acres overall, which includes land holdings in Arizona.

Their native language is unique and bears no relationship to any other language in the world. Throughout the challenges of wars, invasions, and outside religious influences, the Zuñi have remained steadfastly devoted to their cultural and religious traditions. There are an estimated 12,000 Zuñi people, and nearly half of the Pueblo population lives below the poverty line.

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The Zuñi Pueblo is located 150 miles west of Albuquerque and 35 miles south of Gallup in a valley of rolling hills and glorious mesas.

Creating a bridge between the Zuñi artists and the rest of the world is a small Santa Fe shop called Keshi: The Zuñi Connection.  (Keshi, pronounced kay-SHE is the traditional greeting of the Zuñi, meaning “Welcome.”) The stewards of the Keshi shop are Robin Dunlap and her daughter Bronwyn Fox-Bern.

In 1979, Robin was living in Santa Fe and working as a substitute teacher. She went to the local Education Department in search of a more fulfilling situation and asked whether they had a pool of qualified teachers that could be called upon by a community in need. The response was, “No.” Robin suggested they start one and left them her name and number. She returned home that day to a ringing phone. The Zuñi Public Schools were in need of a sixth grade teacher. Two weeks later, Robin packed up her nine-year-old daughter Bronwyn and moved to Zuñi.

Bronwyn and Robin
Bronwyn and Robin

For two and a half years Robin and Bronwyn lived on the reservation. Robin recalls, “It was the best teaching experience I ever had.”

Bronwyn was the only “melika” child in her class and she was made to feel very welcome by the Zuni Children.  She remembers, “The word for ‘white’ in Zuni is ‘melika.’  It’s easy to remember because it sounds like ‘milk’.”

She was also welcomed into sacred Pueblo ceremonies and events. “It wasn’t unusual for there to be a knock at the door at 10 o’clock at night by a group of friends inviting me to a special ceremony. I’m so glad I was old enough to be able to process what a privilege it was to be included.”

In 1981, Robin and a small group of Zuñi artists and school teachers started an artists’ co-op to be located in the state’s capital, so that Zuñi artists would have their own representation outside the reservation. Items were to be stocked on a consignment basis, and the artists would be paid their full asking price for each piece. A shop manager was hired and Robin stayed on the reservation. She taught by day, and at night she would visit artists’ houses on the Pueblo and help them consign their art. Eventually, a healthy inventory was developed.

Unfortunately, after a couple of years in operation, the shop manager’s lack of ethics left the artists unpaid for their work and the books a mess.  The co-op group asked Robin to take over the shop, and so she and Bronwyn moved back to Santa Fe. Robin spent a few years clearing up the books, mending relationships, and ensuring all the artists were paid their asking price for their work.

For over 32 years, Keshi: The Zuñi Connection has been under the careful stewardship of Robin and Bronwyn.  Bronwyn would work in the shop during summer breaks. After a number of years moving around the globe, and earning her degree in American Cultural Studies, she eventually settled in as manager in 1999. Today, Keshi represents the work of over 1000 Native American artists, 95% of whom are Zuñi.

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The 800-square-foot store is one of my favorites in Santa Fe. It stands alone amid the moat of a city parking lot on Don Gaspar Street, in the heart of historic Santa Fe, just two blocks from the plaza.

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The space is filled to the brim, housing one of the world’s largest Zuñi fetish collections. They also carry a variety of art, pottery and jewelry. The Zuñi are also renowned for their exquisite “petit point” jewelry.  Robin told me that authentic petit point is fast becoming a rarity, and that buyers need to beware of the many forgeries that exist.

Petit-point Zuni Jewelry
Petit-point Zuni Jewelry
Vintage Cuff Bracelets - Ellen Quandalacey
Inlaid Vintage Cuff Bracelets- Ellen Quandalacey – Zuni

The extensive displays, coupled with the knowledgeable, friendly staff, make Keshi a place that offers you a sense of authentic connection and closeness to a deeply rooted spiritual culture and artistic heritage.

DON’T FORGET TO FEED YOUR FETISH!!

No, I don’t mean go out and buy a closet full of shoes. When you buy a fetish from Keshi, you’ll be reminded that Native cultures consider an important way to honor its power is to feed it.

Picasso Marble Bear Fetish - Eldred Quam - Zuni
Picasso Marble Bear Fetish – Eldred Quam – Zuni

Corn is a vital staple in Native American culture, and so each fetish comes complete with its own little bag of blue corn meal. Sprinkle the meal on and around your fetish to ensure it is well fed, and it will care for you in return.

For decades, the fetish has been a popular icon around the world. Attempts to pass off items made in China, Taiwan and elsewhere as the authentic article are rampant today. Robin and Bronwyn are happy to enlighten their customers on what constitutes authentic work. Rest assured, everything in Keshi is authentically Native American-made.

Prices for genuine fetishes can be as low as $10 and range up to many thousands. Fakes are no less expensive than the genuine article, which only serves to deprive the Native people of their just reward for their work, and the unsuspecting consumer of authentic Native art.

I love giving fetishes as gifts to friends and family. They represent that old adage, “good things come in small packages.” Though some of them may be as small as a dime, they are beautifully crafted from a multitude of rocks and gems, and many are intricately inlaid with beautiful designs. Whether large or small, each carries with it a special meaning, which makes them the ideal gift for anyone.

Frog Fetish in jet with inlay detail - Emery Boone
Frog Fetish in jet with inlay detail – Emery Boone
Bear with Fish and Fish with Bear - Salvador Romero
Bear with Fish and Fish with Bear – Salvador Romero

Native American comedian and comic strip artist Ricardo Lee Caté is also featuring his works at Keshi. Caté is of the Kewa tribe and is well known in New Mexico for his cartoon comic strips in the Santa Fe New Mexican newspaper called “Without Reservations”.

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It is well worth a visit to Keshi any time. They are open 7 days a week, Monday to Saturday 10 a.m. – 5 p.m. and Sunday 11a.m. – 5p.m. For more information on Keshi: The Zuni Connection go to: http://santafeselection.com/unique-shops/keshi-the-zuni-connection or call (505) 989 8728.

 

Thank you for reading my blog. If you’d like to receive my posts via email, please send your request to me at [email protected].

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Southwest Buckles, Bolos and Beyond

The Chinese have record of belt buckles beyond utilitarian value from as far back as 2 B.C. Elsewhere, tombs of kings and pharaohs have been unearthed to reveal a cherished buckle or two. It isn’t new that decorative statements of status, prowess and fashion via the buckle have continued to develop style and collectibility through the centuries.

Here, in the relatively young American Southwest, it wasn’t until the mid-1800s, when the Spanish and Mexicans brought their silver folk art in the form of ornamental horse bridles and various other adornments to the Four Corners region, that Native American silverwork began to evolve from its simpler origins.

The skilled, industrious Navajo, Zuni and Hopi artisans soon developed their own distinctive designs and techniques for the beautiful style of the concha or concho (meaning “shell” in Spanish) belts. Decorated with silver shells from tip to tail, and the addition of turquoise and other ethnic accents, these belts heralded a distinguished Southwestern style.

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Navajo Silversmith and Concha Belt, photo by George Ben Wittick, 1883

During the Civil War, the military brought symbolic status to the buckle. And later, rodeos would award their champions with an expensive, hefty medallion for their belts.

The concha belt remains as popular now as it ever was. Its timeless appeal and design adaptability works with any fashion trend.

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In the1930s, the Texas Ranger utilitarian holster and belt triggered the trend of belt tip-sets. The fashionable ranger tip-sets comprise the belt’s decorated aspects of buckle, one or two holder loops or keepers, and tip. Hollywood Westerns boosted the trend with the likes of John Wayne, Roy Rogers and other cowboys of the silver screen.

The Texas Rangers movie

Since the mid-Seventies, Santa Fe has been home to James Reid, whose name is synonymous with the highest quality tip-sets and a variety of jewelry accessories, and whose designs have fans the world over.

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James Reid

The story of James’ love affair with Southwest silver folk art began in the mid-Sixties – a time of radical change in the trends of society, culture and fashion. Santa Fe was, as it always has been, a hub for many traders from all over the United States. James was one who journeyed from Pagosa Springs, Colorado to Taos and Santa Fe on a regular basis to trade American Indian antiques, and his own creations in leather and silver.

A free spirit on a low budget, and in true hippie style, he drove, worked and slept in a rigged-out school bus, and later a utility van, complete with the addition of a protruding stove-pipe connected to a wood stove that ensured warmth against the chilly northern New Mexico nights. (I begged him for a picture of it, but he swears he no longer has one.) He laughs as he remembers the pine lath work on the interior that, although adding to the “funky” feel, made it a rolling fire hazard.

As he traveled around northern New Mexico, he gathered techniques from silversmiths and artisans. “With a few rudimentary tools, you can learn very quickly by watching and doing,” he says.

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James continued his traveling lifestyle until 1974, when fate, destiny, or simple mechanics imposed a change. He set off to return to Colorado when his van/studio/home broke down. That seemingly inconvenient incident led to Santa Fe claiming James as one of its own.

His prolonged stay drew him to become immersed in the serious study of Southwest silverwork. Initially, his designs focused on the belt tip-sets. James saw the potential for extensive creativity in a field that even by the mid-Seventies remained relatively unexplored – and he enjoyed the artistic freedom it afforded. During this time, Southwest silverwork, along with many other Southwest and Native American fashion trends, experienced a renaissance, the popularity of which lasts to this day. James’ tip-set designs took off.

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James Reid Tip Sets

A fun play on the theme are these colorful “wrist belts” of alligator leather with silver conchas.

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Variety of JR unique Wrist Belts
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Classic Southwest Design – Diamond Ray Wrist Belt-JRLTD

But belts were just the beginning for James. Ever since opening his first shop in 1974, James Reid designs have continued to evolve and include a variety of creative plays on traditional and contemporary themes in all jewelry and accessories for men and women.

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James Reid. One-of-a-kind, hand-polished, turquoise beads with 18kt gold on leather.
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Western Charm Bracelets and Silver Bead Necklaces

Another popular gem is the “bolo” tie. Since the mid 1800s, Hopi, Zuni, Navajo and Pueblo silversmiths have created artistic clasps to hold two ends of leather string in place with style. But the bolo tie has its own history.

The name “bola” (most often spelled and pronounced “bolo”) originates from the South American word “bola,” meaning “ball”.  A “bola” (also called a “boleadora”) was a weapon and later a herding tool used by South American cowboys. Weights were attached to the split ends of a long rope, which could be thrown, much like a lasso, to ensnare the target by tangling around its legs.

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Argentinian Postcards of Gauchos using Bolas

Some sources say that the bolo tie trend was started in the 1940s when Arizona silversmith Victor Cedarstaff was riding his horse one day, and to prevent the wind from blowing his hat with its valuable silver-tipped hatband off, he drew the hatband down around his neck. His riding partner commented on it being a “nice looking tie.” Victor went on to create bolos and even patented the design. The bolo tie was also helped toward popularity by early Hollywood movies and television characters like Hopalong Cassidy, Roy Rogers and the Cisco Kid.  As of 1971, Arizona claimed the bolo tie as its official neckwear.  In 2007, New Mexico and Texas did the same.

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James Reid Bolo Ties

It has been more than 38 years since James Reid surrendered to Santa Fe’s charms. In 1981, he opened a gallery on Palace Avenue, just steps from the Plaza, and has been there ever since.

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James Reid Shop and Gallery at 114 East Palace Ave.

He continues to collaborate with as many as ten local Santa Fe jewelry artists to create refreshing, ornamental styles, and embellish utility with unique beauty.

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The Great Western – James Reid Ltd

James Reid designs have established an iconic standard of their own, one of superior quality and a Santa Fe style of timeless sophistication donned by men and women world-wide. And the Southwestern theme remains integral to the inspiration of his modern designs.

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Satin Link Chain, 18kt gold pendant with Sleeping Beauty turquoise and diamonds. Hanger is hinged for detachment, so that chain can be worn alone or with other pendants.
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Orion Money Clip, Cufflinks and Studs. Deep relief 18kt star in sterling.

It is fun to visit the gallery to see what new creations they have on display and the creative ways they continue to elaborate on the southwestern designs. Often, James is there and happy to share his extensive knowledge of the work that will help you gain appreciation for wearable art that bridges the Southwestern traditional with the contemporary.

For more information on James Reid Ltd please go to:

http://santafeselection.com/unique-shops/james-reid-ltd

 

 

 

 

 

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Santa Fe Indian Market – Past and Present

(This Post was Updated, August 2022)

What began in 1922  as an adjunct to the annual Fiesta celebration has grown to become the world’s largest, most prestigious independent Native American arts market, and one of the biggest annual cultural events in the Southwest. Now, it is difficult to believe it ever fit inside one building.

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In the early 1900s, Native American arts and crafts were sought after by travelers and traders for souvenirs and curios. They wanted something small enough to fit in their travel bags and suitcases. This level of collecting served to endanger the value and craftsmanship of Native art.

Well-known archeologist and anthropologist Edgar Lee Hewett, whose studies focused primarily around the Native cultures of the Southwest, was a prominent figure in support of the preservation and conservation of the cultures’ traditional art forms and prehistoric dwelling ruins. In 1909, he founded and directed the Museum of New Mexico. Museum curator and assistant director Kenneth Chapman worked closely with Hewett and saw the need for educating the public at large on the value of genuine indigenous Southwest arts, if appreciation for the genre was to be sustained.

Edgar Hewett Archeologist
Edgar Lee Hewett

Hewett, Chapman and the Museum of New Mexico collaborated with the Indian Arts Fund and the New Mexico Association on Indian Affairs to create a juried exhibit of traditional Indian arts. It was to be held in conjunction with the long-established annual Fiesta celebration.

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1922 Indian Market Display with Award Trophies. Palace of the Governors Armory Building. Photo: Palace of the Governors Photo Archives.

The first exhibit opened on September 4,1922, under the title of The Southwest Indian Fair and Industrial Arts and Crafts Exhibition and was more colloquially known as The Indian Fair.

 While the Fiesta celebrations took over the Plaza, the entire Indian Fair exhibit was displayed in the National Guard Armory Building, behind the Palace of the Governors. Admission fees were charged to the visiting public.

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1922 Picuris Pueblo Pottery Exhibit. Palace of the Governors Armory Building. Photo: Palace of the Governors Photo Archives.

Events included the display of Native American dancing, singing, Native dress, and demonstrations on jewelry, pottery making, and bow and arrow contests held on the museum patio.

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Indian Fair 1922. Patio of the Palace of the Governors. Kenneth Chapman center with Santiago Naranjo. Palace of the Governors Photo Archives.

A handful of museum curators, including Chapman, judged the various categories, which were named for each of the participating pueblos.  Each category was awarded a first prize of $5 and a second prize of $3. There was also a $15 prize and a trophy awarded for “Best Tribal Display”. The Museum staff acted as intermediaries in selling the art to the public. The artists received their money after the Fair was over.

For five years the Indian Fair remained in the Armory and the Palace of the Governors courtyard patio during Fiestas.

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1925 Indian Fair in the Palace of the Governors Armory Building. Photo: Palace of the Governors Archives.

In 1927, the Museum of New Mexico ended their involvement with both the Fiesta and Indian Fair events. Kenneth Chapman founded an independent committee to continue supporting the advancement of traditional Native arts and the Fair. The Southwest Indian Fair Committee included Hewett and dedicated Native heritage supporters Amelia and Martha White, Santa Claran day-school teacher Lucy Bacon, Dorothy Stewart, Margaretta Dietrich and others.

From 1927 to 1931, the Fairs continued to be held in the Armory building and on the patio of the Palace of the Governors during Fiestas. The Committee also provided transport from the pueblos, camping equipment, and food for the Fair participants totaling approximately $400 a year. These costs were covered by admission fees, along with a small percentage added to the sales price of the exhibit items.

Committee members would agent the sales of all items and Native participants continued to wait until the Fair was over in order to receive their payment. The average price for a pot was $3.  The sale of the now legendary Maria Martinez’ pots would bring as much as $11. At a time when a can of milk cost 10 cents, coffee was 35 cents a pound, and a pair of men’s britches could be bought for $1.75, these earnings were considerable.

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Maria and Julian Martinez and Family. Palace of the Governors Photo Archive 1929.

To ensure display of excellent works, Chapman went to pueblos in advance of the Fair and buy those pots and items he felt represented the best of the art form. He would spend in the range of $400-$470 annually from monies donated by the committee members and other supporters. These purchases also served to increase value and encourage the enthusiasm of the artists to continue their works and high quality standards.

After 1931, the Santa Fe Indian Fair stopped. The Committee took the exhibits on the road. From 1932 to 1935, they traveled around the state to Indian schools, pueblos and tribal fairs and held exhibits and competitions that offered prizes. They hoped the exhibits would inspire participation from more artists while displaying what they had judged to be prize-winning examples of traditional art forms.

In 1934,  the SWIFC were taken over by the Arts and Crafts Committee of the New Mexico Association on Indian Affairs. By 1935, participation by the Native American artists was waning. In 1936, NMAIA President Margaretta Dietrich proposed bringing the Fair back to Santa Fe and again hold it during Fiestas.

Maria Chabot
Maria Chabot

Margaretta’s assistant was a young writer named Maria Chabot. From her years living in Mexico, Maria had seen first-hand the success of native Mexican outdoor markets. She proposed the idea of a weekly Saturday outdoors “market,” and the Indian Fair was reborn as the Santa Fe Indian Market. It was to be held for eight consecutive Saturdays under the portal of the Palace of the Governors. The minutes of the Association meeting explain her idea.

“Miss Cabot’s plan was that all Indians be invited to come in each week but that one            or two pueblos only would be featured each Saturday and these awarded prizes and          provided with transportation.”

The first of the Saturday Indian Markets was held July 11, 1936. Participation was strong. Seventy-five to 100 people arrived from the Pueblos of San Ildefonso and Tesuque. The artists would do their own selling, thus eliminating the third party and the wait for payment, and allowing for direct connection between vendors and buyers. As the weeks continued, the Market was so successful that the artists would return to sell their work and that of their family members.  This caused a spread of displays inching their way down the Palace’s neighboring streets.

Although there were many categories of works sold, pottery was one of the most popular. The average weekly sale of pots by such prize-winners as Maria Martinez and Severa Tafoya was $16. Those who were less skilled earned in the range of $4-$6 per week. Public attendance was estimated to be in the range of 8,000 for the entire summer.

Chabot had helped establish the freedom for the artists to set their own prices and the Markets’ success brought financial independence to many of them. In an interview by the Santa Fe New Mexican in 1996, Chabot recalled that at the end of the summer of 1936, Maria Martinez told her that “eight girls got water in their house.”

Even after the Markets were over, vendors continued to come to Santa Fe to sit under the portal of the Palace of the Governors. To this day, it is a highly anticipated experience for many visitors to Santa Fe to visit Native vendors and artists under the Palace’s portal.

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Palace of the Governors Portal. Indian Market 1938. Photo: Harold Humes. Palace of the Governors Photo Archives

The Saturday markets weren’t held in 1937, but they were resumed in 1938 and 1939. Prize ribbons were awarded for the first time in 1938 and have continued ever since.

From 1940 through 1962, the Indian Market was again held during the one Fiesta weekend. All Native American artists were invited, but the spread of displays around the plaza and on shop fronts was a cause for concern and upset among shop owners and the artists themselves. There were no assigned spaces, and the battle for the best spots had some vendors sleeping under the portal to ensure their space.

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Vendors sleeping under the Palace of the Governors Portal. circa 1940-50. Palace of the Governors Photo Archive.

Through the 1940s and 50s, prizes continued to be awarded, but the number of prizes and the monetary awards wavered.

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1953 Vendors along Washington Ave. Photo Nat N. Dodge. Palace of the Governors Photo Archives.

By 1959, the future of the NMAIA and its organization of the Market was in doubt. Fortunately, Al Packard, whose legacy Packards on the Plaza is now in the process of closing after a successful 75 years in business, took on the cause. Packard and other prominent figures supported the NMAIA in bringing organization to the Market and reviving the juried exhibits and prizes. Efforts became entirely focused around the extensive organization of Indian Market.

The 1960s brought a renewed national interest in Native American culture, which helped the cause considerably. In 1962, the Market was held the weekend preceding Fiestas, establishing its independence from any other event. Gradually, throughout the Sixties, more and more rows of booths were installed for vendors so that in addition to the 100 artists under the portal, there was now booth space for an additional seventy-five.

By 1980, 330 booths were provided. In 2002, 625 booths enabled the participation of as many as a thousand artists. Those numbers seem to be holding steady. As the 92nd Annual Indian Market draws to a close in 2013, as many as 220 tribes from the U.S and Canada participated, over 600 booths lined the Plaza and surrounding streets, as many as 68 judges determined winners in over 3,600 category classifications and awarded over $110,000 in prizes. More than a thousand artists attended. The white roofs of vendor booths line the streets surrounding the plaza and stretch for many blocks.

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Artist booths line the Plaza stretching all the way to the Courthouse.

Now, the Market is usually held during the third weekend of August. Vendors make their way to Santa Fe from all directions, some of them bringing delicious Native foods to sell to an eager public.

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As in the past, the participating artists work hard all year to create works that will win prizes and hopefully earn them good income through sales.

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The judging process upholds its original rigorous standards of evaluation of excellence in cultural aesthetics, quality and creativity in all of the category classifications.

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Robin Waynee Saginaw Chippewa Tribe of Michigan. Contemporary Pendant.

Robin Waynee is a very popular contemporary jeweler. She is originally of the Saginaw Chippewa tribe of Michigan. She now lives in Santa Fe and her work can also be found at The Golden Eye just off the Plaza.

In the Pueblo Carvings Classification, Bart Gasper of Zuni Pueblo won 1st place with this amazing Kachina.

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Bart Gasper Sr. – Zuni Kachina 1st Place – Pueblo Carvings Classification

The week preceding the Market includes festivities, fund-raisers, shows and exhibits in galleries and museums, restaurants and cinemas throughout Santa Fe, culminating with the Market on Saturday and Sunday.

On Sunday morning an amazing display of traditional and contemporary cultural dress adorns the stage for the Native American Clothing Contest. Judges award prizes for the best in numerous categories.

Within Santa Fe’s historic town center, hundreds of Native cultures converge – creating a proud and spectacular display of color and beauty. There is a tremendous amount of history, tradition and religious ceremonial information to be gleaned from each costume. Almost every detail has a purpose and meaning that is intricately woven through complex Native lineages.

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Santo Domingo Ceremonial Costume – Pueblo Sunrise
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Santo Domingo Ceremonial Costume – Pueblo Sunrise
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Audrey Brokeshoulder. Plains Indian Dress.

In the above image, Audrey Brokeshoulder’s dress won first place in the category of “Southern Plains Girls Dress” in the age group 11 to 17. I was fortunate enough to be able to ask Audrey’s father Nick about it. Nick designed her skirt and shawl, basing the designs on patterns used by the Oklahoma woodland tribes Sauk and Fox. Every design of the beadwork and stitching has meaning relating to the history of the tribal cultures. Nick says, “you can’t just put on these clothes…they have to belong to your tribe through lineage, or [you need] to be adopted into these groups by families willing to allow you the rights to wear them…” Audrey is an enrolled member of the Hopi tribe, and her heritage includes Navajo (Dineh) and Shawnee.

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Navajo Traditional Costume. Category – Women 18 years and older

As in all of the works of art at the Indian Market, the costumes are a fantastic display of color, meticulous beadwork, feathers, shells, bells, and beauty, all representative of important traditions in each of the Native cultures from around the U.S and Canada.

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Laura Marks: Yakama Traditional. Category: All Tribes – Girls ages 6 – 10.

 

costumefeathers
Apache Warrior

There are commercial buyers, tourists, private collectors and enthusiasts who have journeyed to Santa Fe for over 50 years to collect and connect with the Native artists and their culture. Santa Fe’s Indian Market now attracts over 150,000 visitors from around the world. The dedication of the non-profit Southwestern Association for Indian Arts has paid off as they continue to work tirelessly to develop educational and training programs in support of Native American art and culture. They also hold a smaller, indoor Winter Indian Market each year around November 30 through December 1st.

Indian Market is a spectacular event and something everyone should experience. If you’re thinking of visiting, remember to book your accommodations far in advance. There is nothing like it anywhere else, and it surely is well worth planning the trip!

For more information on Indian Market and SWAIA go to: http://swaia.org/

For more info and my curated listings on where to eat, shop, explore, stay and more for your visit to Santa Fe, go to: https://santafeselection.com/

If you’d like my FREE Mini Guide Map mailed to you in advance of your arrival, please email me at [email protected] with your name and complete U.S Mailing address, and I’ll send you the best Mini Guide with 3 helpful maps and tips on where to eat, shop, explore etc. FREE.

Sources:

1. From Indian Fair to Indian Market by Bruce Bernstein. El Palacio Magazine vol.98. No3

2. SWAIA: http://swaia.org/About_SWAIA/History/index.html Adapted from “History of the Santa Fe Indian Market” by Bruce Bernstein

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